When Juliette Binoche lets go, we love it. Long a subscriber to auteur films, the actress jubilant in Paulette Van der Beck , a corseted in her fifties and ultra smiling, entirely focused on a domestic and professional perfection that keeps her upright. Yolande Moreau , her old daughter-in-law, Bécassine Alsacienne all in emotion, nourishes the desperate energy of Paulette, whose universe collapses when her husband ( François Berléand ) suddenly dies. To support them, they can count on the faithful employee Sister Marie-Thérèse. A colorful character tailor-made by the director for a Noémie Lvovsky who, in sandals-socks, alb and safety glasses, whips everyone with happiness and completes this feminine trio who literally carries the film.
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